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- #Alesis multimix 8 firewire for live performance mac os
- #Alesis multimix 8 firewire for live performance manual
- #Alesis multimix 8 firewire for live performance software
- #Alesis multimix 8 firewire for live performance plus
#Alesis multimix 8 firewire for live performance manual
By default this runs at 44.1kHz, but when the Multimix is connected to a computer it can be set to either 44.1kHz or 48kHz.Īlthough there is a paucity of technical spec, the manual is rather more forthcoming about promoting the built-in 28-bit digital effects processor, which can deliver 100 preset effects, including a good selection of reverbs, delay effects, and modulation/pitch treatments. Additionally, a coaxial S/PDIF socket carries a 16-bit digitised version of the main stereo mix, enabling it to be recorded to a hardware device.
#Alesis multimix 8 firewire for live performance software
A copy of Steinberg's Cubase LE recording software is also provided for those who haven't yet chosen their sequencing software.
#Alesis multimix 8 firewire for live performance mac os
The interfacing is compatible with Mac or PC machines that have standard IEEE 1394 Firewire ports, and drivers are included on a CD-ROM for Windows XP and Mac OS X. Photo: Mike CameronThe Multimix series (comprising eight-, 12-, and 16-channel models) is based around the DICE II Firewire chip set, which here handles the audio interfacing at 24-bit resolution and at sample rates of 44.1kHz or 48kHz. The manual is also somewhat unclear as to which inputs and outputs are balanced or unbalanced, though I managed to piece some of this information together from the block diagram. However, in my practical tests there seemed little to be ashamed of given the mixer's low cost. While this is helpful to the user, it does little to back up the technical performance credentials of the unit. Instead, it concentrates on telling you what level the various outputs emerge at and at what frequencies the EQ operates. My first port of call is usually the manufacturer's spec sheet, as this at least gives me some idea what to expect in terms of quality, but oddly the spec for this mixer misses out many important and informative details, such as noise figures, crosstalk, distortion, and frequency response. If you have a computer and want to record a band, this is a great solution. While I wouldn't pretend that the mixer section of the Multimix Firewire 16 is as sophisticated as the significantly more costly Mackie Onyx, it does have the benefit of being extremely inexpensive, and its functionality should suit a good many computer audio applications, especially where it is necessary to record multiple sources at the same time.
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When Mackie came up with their Onyx Firewire mixer, there were complaints that its excellent EQ was bypassed while recording, so Alesis have obviously learned from this feedback and placed their direct outputs after the EQ.
#Alesis multimix 8 firewire for live performance plus
Post-EQ, post-fader direct outputs from each channel (eight mic/line channels plus four stereo line channels on the 16-channel model I had for review) are sent to the computer via the Firewire link, as is the main stereo mix, while the stereo mix coming back from the computer is routed to the two-track return in the monitor section. Too good to be true?Īt first glance, the Alesis Multimix Firewire mixers could be mistaken for any other affordable general-purpose analogue designs, but the inclusion of Firewire interfacing enables them to double as multi-channel computer audio interfaces, placing them in a very different league. It may look like just another mixer, but this new entry-level model from Alesis also packs in a hefty 18-input, stereo-output Firewire audio interface.